《诗经·陈风·宛丘》主旨辨正——兼及《诗经》主旨阐释的方法问题

《诗经·陈风·宛丘》的主旨迄今主要有四类观点。综合考察此诗产生的历史文化背景、诗文本的内在逻辑关系，可得出三点结论：一、陈国的巫风习俗是包括《宛丘》在内的《陈风》赖以产生的历史文化基础；二、诗中的“子”指游荡于宛丘的善歌舞者，“荡”、“望”蕴含着诗人对“子”的道德评价。三、此诗通过描写一位痴迷歌舞者终日游荡于宛丘的情景，反映了陈国歌舞繁盛的巫凤习俗，隐含着诗人对陈国歌舞无度现象的批判。

On the Themes of Wanqiu in Chen Feng, Book of Songs About the Methodological Issues on the Themes of the Book of Songs

There have been four main viewpoints about the themes of Wanqiu in Chen Feng, Book of Songs so far. Generalized the historical and cultural background of writing this poem and the internal logical relations inside the poem itself, three conclusions can be arrived. Firstly, the customs of witchcraft in Chen Kingdom were a historical and cultural element from which Chen Feng （Wan Qiu was included） was produced. Secondly, ＂the son＂ wandering in Wan hillocks in the poem refers to the person who was good at singing and dancing; and ＂wandering＂ and ＂watching＂ contained the poet＇s moral comment on ＂the son＂. Finally, by describing a person enchanted with singing and dancing wandering on Wan hillocks all day long, the poem reflected the customs of witchcraft in Chen Kingdom, and suggested the poet＇s criticism to the hedonist phenomena of singing and dancing in Chen Kingdom.