| 论席勒的悲剧观 |
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| 引用本文： | 黄定华. 论席勒的悲剧观[J]. 吉首大学学报(社会科学版), 2005, 26(4): 66-69 |
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| 作者姓名： | 黄定华 |
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| 作者单位： | 华中师范大学,文学院,湖北,武汉,430079;宜春学院,文学院,江西,宜春,336000 |
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| 摘 要： | 席勒从艺术的层面把审美快感而不是道德视为悲剧艺术的目的，道德则是作为达到审美快感的途径。悲剧的道德观念又是通过目的性和反目的性的矛盾冲突实现的，从而奠定了黑格尔悲剧冲突理论的基础。同时，悲剧又区别于其他艺术形式，它以自身的“悲剧形式”（特征）来实现其道德和理性的目的。
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| 关 键 词： | 悲剧 快感 道德 冲突 |
| 文章编号： | 1007-4074(2005)04-0066-04 |
| 修稿时间： | 2005-08-28 |
Schiller on Tragedy |
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| HUANG Ding-hua. Schiller on Tragedy[J]. Journal of Jishou University(Social Science), 2005, 26(4): 66-69 |
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| Authors: | HUANG Ding-hua |
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| Affiliation: | (College of Chinese Language and Literature,Central China Normal University,Wuhan 430079,China) |
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| Abstract: | From the point of art, Schiller views aesthetic feeling, not moral, as the aim of tragedy, while moral is the way to achieve aesthetic feeling. The moral concept of tragedy is realized in contradictory conflicts of different aims, which is the foundation for Hegel's tragedy conflict theory.Meanwhile, tragedy is different from other art forms, whose moral and rational aims are realized through the form of tragedy of itself. |
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| Keywords: | tragedy aesthetic feeling moral conflict |
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