《红楼梦》中的空白及其审美意蕴

曹雪芹不仅是一位才华横溢、艺贯古今的小说家,也是一位出色的诗人和画家。他在《红楼梦》的创作中将中国古代的绘画理论和技法融入笔端,创造了全新的表现手法。特别是对空白手法的运用,使中国绘画理论中“虚实相生”的美学思想得到了充分的表现,同时也对空白这一中国绘画技巧进行了创造性的运用,使其审美蕴涵更加丰赡、充实,其创造的意境更加空灵、开阔。

The Blanks in the Dream of the Red Chamber and its Aesthetics

Cao XueQin was not only a talented novelist, famous both in the ancient times and today, but also an excellent painter and poet. He finished his works with the ancient Chinese painting theory and skills to create bran-new skills of writing, especially the use of blanks, which fully expressed the aesthetics of combining emptiness and reality, with the creative skill of the Chinese painting skill of "blanks", so that the aesthetics is made more substantial, and the artistic conception more widen.