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| 以音乐的感知模式解析现代艺术的超感性 | |
| 引用本文： | 张辉. 以音乐的感知模式解析现代艺术的超感性[J]. 西北大学学报(哲学社会科学版), 2007, 37(2): 162-165 |
| 作者姓名： | 张辉 |
| 作者单位： | 西北大学,艺术学院,陕西,西安,710069 |
| 摘 要： | 艺术形式的相通之处就在于使得人与人之间的情感相联系、沟通达到同化之目的,同化的意旨在于互动式的交流。现代艺术正如同一篇美妙的乐章,以超视觉的、超内容的、超传导性地开辟了新的艺术感知模式,从而发现:传统艺术是以技法的传承为基点,以风格的独树为目的艺术;而现代艺术是以情绪的表达为基点,以信息的传递为目的艺术。 |
| 关 键 词： | 现代艺术 音乐 同化 感知模式 |
| 文章编号： | 1000-2731(2007)02-0162-04 |
| 修稿时间： | 2006-10-15 |
An interpretation of supersensitive faculty of the modern art in the mode of music |
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| ZHANG Hui. An interpretation of supersensitive faculty of the modern art in the mode of music[J]. Journal of Northwest University(Philosophy and Social Sciences Edition), 2007, 37(2): 162-165 | |
| Authors: | ZHANG Hui |
| Abstract: | The interlinks of art forms consists in making interpersonal emotion mutually contacting, communication and attaining the purpose of assimilation, whose aim consists in interactive exchanges. The modern art is just like a wonderful music movement, with super-visual, super-contents and super-conduction, develops the mode. Therefore traditional art is based on the skill spreading, its purpose is creation of the unique style; but the modern art is based on the expression of the motion, its purpose is transmission of the information. |
| Keywords: | modern art music assimilate mode |
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