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中国现代戏剧中的“出走”原型主题
引用本文:田美丽.中国现代戏剧中的“出走”原型主题[J].海南大学学报(人文社会科学版),2004,22(1):49-53.
作者姓名:田美丽
作者单位:中南民族大学,文学院,湖北,武汉,430074
摘    要:出走是人类的基本生存状态和精神要求,因此成为中外文学重要的原型主题,并在中国现代戏剧中得到了充分显现.中国现代剧作家颠覆了中国传统文化中惧出走的思维模式和感情定势,崇尚西方出走的文化传统和"在路上"的现代精神,在对现实使命的关注中满足对这一主题现实层面的表达,却缺乏形而上的探索.

关 键 词:原型  "出走"  "在路上"
文章编号:1004-1710(2004)01-0049-05
修稿时间:2003年12月13

On the Archetypical Theme of "Run-away from Home"in Chinese Modern Drama
TIAN Mei-li.On the Archetypical Theme of "Run-away from Home"in Chinese Modern Drama[J].Humanities & Social Sciences Journal of Hainan University,2004,22(1):49-53.
Authors:TIAN Mei-li
Abstract:As a request of fundamental human living and mentality, "run-away from home" remains an important archetypical theme of the literary works at home and abroad, and is demonstrated fully in modern Chinese drama. In traditional Chinese culture, to run away from home is a dreadful event. Nevertheless, modern Chinese dramatists break away from this ideological and emotional pattern in pursuit of western cultural heritage and modern mentality of "being on the way". Their exploration of archetype connotations is closely connected with the main social issues of the time, which makes them satisfied with portraying the social struggle and restrained in exploration of philosophical connotations.
Keywords:archetype  "run-away from home"  "on the way  
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