“警角之声”与“华亭鹤唳”——论陆机的出处观念与东吴文化之关系

陆机的出处观念与东吴文化密切相关,无论是"江东名胄"的家族记忆,还是"亡国之余"的角色认同,都与吴地的政治文化息息相关。在陆氏家族"立功立事"与"道德名望"的价值分流中,陆机试图构筑一种理想的人生模式,以先"仕"后"隐"的价值次序协调二者之间的矛盾和对立。一方面,重振家声的家族责任感使得陆机不能终老华亭,另一方面,在他入洛之后尽管怀土思乡却又不肯还吴。当洛阳仕进的"警角之声"无法催其前行时,华亭故居的"鹤唳之声"成为陆机最为留恋的人生光影。

"The Sound of the Horn" and" Huating 's Crane": On the Relationship between Lu Ji's Concept of Officialdom & Seclusion and Wu Culture

Lu Ji’s concept of Officialdom & Seclusion and Wu culture are closely related.Both "Jiangdong famous helmet" family memory and "State ministers" role identity are related with Wu’s political culture.In the Lu family,with the value shunt of "crime legislation" and "moral prestige",Lu Ji attempted to construct a kind of ideal life pattern and coordinate the contradiction between the "official" and the "hidden" value.On one hand,the responsibility of reviving his family makes Lu Ji leave Huating,on the other hand,he refused to go back to Wu though he was homesick.When "The sound of the horn" urged him to move on,"Huating’s Crane" became Lu Ji’s wistful life light.