| 浅谈西藏当代诗人汪承栋诗歌的形象美 |
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| 引用本文： | 黄波,任秀丽.浅谈西藏当代诗人汪承栋诗歌的形象美[J].西藏民族学院学报,2005,26(6):56-60. |
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| 作者姓名： | 黄波 任秀丽 |
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| 作者单位： | 黄波（西藏民族学院人文学院,陕西,咸阳,712082）
任秀丽（西藏民族学院团委,陕西,咸阳,712082） |
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| 摘 要： | 汪承栋诗歌的形象是诗人按照关的规律,伴随着美感活动而进行创造性劳动的产物,是诗 情的载体;是它使读者注视着审美对象。本文从它的崇高美、“我”的形象美、“我们”的群体形象美、景物 的形象美和形象的色彩性几方面,初探了汪承栋诗歌的美学艺术。
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| 关 键 词： | 西藏 汪承栋 诗歌 形象美 |
| 文章编号： | 1003-8388(2005)06-0056-05 |
| 修稿时间： | 2005年6月27日 |
The Beauty of Image in Wang Chengdong's Poetry |
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| Abstract: | The image of Wang Chengdong's poetry is a product of creative labor with the activity of sense of beauty according to the rule of beauty. It's the carrier of poetry affection, which focus the readers' attention on the object of the appreciation of the beauty. From such aspects as lofty beauty, the image beauty of " I", the group image beauty of "We", the image beauty of scenery as well as the color property of image, the author explores the aesthetic art of Wang Chengdong's poetry. |
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| Keywords: | Tibet Wang Chengdong poetry beauty of image |
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