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| 浅谈金庸小说中的蒙古形象 | |
| 引用本文： | 胡旭东,周舒. 浅谈金庸小说中的蒙古形象[J]. 内蒙古民族大学学报, 2005, 0(4) |
| 作者姓名： | 胡旭东 周舒 |
| 作者单位： | 北京大学外国语学院，2中国人民大学哲学系 北京 100000，北京 100000 |
| 摘 要： | 从《射雕》、《神雕》、《倚天》这三部可以从中梳理出汉蒙关系的伸展变化的“三部曲”中,我们看到了一个多变而又具有一定整一性的蒙古形象,无论我们从父性的替代、互补的他者还是从镜像的映射的角度去看待这一形象,我们都能发现这一形象在金庸的总体性民族国家叙事之中具有非同寻常的意义:它在深层意义上已经成为了“异质整合与对话型”民族国家主体性之中不可或缺的一个要素。 |
| 关 键 词： | 蒙古形象 虚构与史实 民族国家叙事 文化他者 替代的父性 镜像映射 异质整合与对话 |
Study on Mongls Image in Jinyong''''s Fiction |
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| HU Xu-dong ZHOU Shu. Study on Mongls Image in Jinyong''''s Fiction[J]. Journal of Inner Mongolia University for Nationalities, 2005, 0(4) | |
| Authors: | HU Xu-dong ZHOU Shu |
| Affiliation: | HU Xu-dong~1 ZHOU Shu~2 |
| Abstract: | According to the Triology(The Legend of Condor Heros,The Return of Eagle Heroes,and Heav- en Sword and Dragon Sabre),in which the changing and developing of the relation between the Han and Mon- golia can be tracked down,we can get a viriable yet constant Mongolian image.No matter what points of view we take:the substitution of Fatherness,the inter-supplement of the other,or the reflection of the mirror,fi- nally we can find the importantance of this image in Jing Yong's total nation-state narration.In the signifieant meaning,the image has become an indispensable essence in the process of forming the subjectivity of kind of in- teregating the heter-ogeneity and communicating nation-state. |
| Keywords: | The Mongolian image Fiction and history Nation-state narration The cultural other Substitutial fatherness Reflection of the mirror lnteregatating the heter-ogeneity and communication |
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