李泽厚美学的“嫁接”理论

为理清李泽厚的美学思想体系,研究其治学方法及其理论根基,有必要对李泽厚吸收与采纳的各家各派的学说进行一番梳理和分析。分析认为,众多西方先哲和中国古代先贤的美学思想是李泽厚美学的思想根源,但这些思想又都经由李泽厚与马克思主义的唯物主义历史观进行了成功的嫁接,这就是李泽厚所言的＂创造性转换＂;在接受外来美学的过程中,李泽厚巧妙利用＂误读＂来满足建构自己理论的需要;借用外国美学时髦的名词术语,＂克隆＂出自己的美学体系,实现了外来美学理论的中国化,这是李泽厚美学的特色;李泽厚美学在西方哲学和中国本土文化的根基上形成了包括唯物主义历史观美学、积淀说、心理本体论、实用理性、人类学历史本体论、情本体的乐感文化等内容复杂的美学思想体系。

Grafting theory for LI Ze-hou aesthetics

In order to clarify numerous and multitude ideas of LI Ze-hou aesthetics,it is necessary to collect and organize the various schools＇ thoughts LI Ze-hou aesthetics have absorbed and adopted.The author conducts some sort of doctrine of scholarship for LI Ze-hou he has often used,namely grafting surgery.LI Ze-hou＇s aesthetic ideas are based on the theories of many western philosophers and sages of ancient China,and is also a successful graft with Marxist materialist conception of history,which is called creative transformation by LI Ze-hou.In the process of foreign aesthetics,LI Ze-hou has cleverly used misreading to meet the needs of constructing their own theories.Borrowing the terminology of the foreign aesthetic fashion,cloning its own aesthetic system and developing the Chinese aesthetic theory,are the characteristics of LI Ze-hou aesthetics.LI Ze-hou has finally formed the foundation of the materialist conception of history,a sense of the complexity of the aesthetic cultural ideology,which is based on western philosophy and aesthetics of Chinese local culture,including aesthetics of materialist conception of his-tory,and the accumulation,the psychological ontology,practical rationality,the ontology of anthropology history,and situation ontology of the music.