| 中国山水画的纯性与境界 |
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| 引用本文： | 刘晓红. 中国山水画的纯性与境界[J]. 东北师大学报(哲学社会科学版), 2012, 1(1): 142-145 |
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| 作者姓名： | 刘晓红 |
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| 作者单位： | 营口职业技术学院普通师范分院,辽宁营口,115000 |
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| 基金项目： | 辽宁省职业技术教育学会2011-2012年度科研规划课题(LZY11091) |
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| 摘 要： | 在中国,“山水”是一个抽象的文化概念,给人一种超然的审美享受.中国山水画所描绘的既是真正的宇宙自然,又是最高尚纯化的人格世界,是中国人情思中最为厚重的沉淀.其理性之纯,是返璞归真后的艺术真实,其境界之美,是山水画家的个性与灵魂传达出的生活神韵.中国人要做中华文化之美的传承者,就必须回到创生中国画的文化母体里修养身心,寻求祖先精神智慧的启迪,领悟这个优美民族超然的精神境界.
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| 关 键 词： | 物我同化 神超理得 时空一体 诗画互动 |
A Pure and Artistic Quality of Chinese Landscape Painting |
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| LIU Xiao-hong. A Pure and Artistic Quality of Chinese Landscape Painting[J]. Journal of Northeast Normal University(Social Science), 2012, 1(1): 142-145 |
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| Authors: | LIU Xiao-hong |
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| Affiliation: | LIU Xiao-hong(Normal School of General Education,Yingkou Vocational College,Yingkou 115000,China) |
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| Abstract: | In China,the landscape,an abstract concept of culture,represents a transcendent beauty trend.Chinese landscape painting describes both real nature of the universe and the purification of the noble personality.It is the most sincere settling in Chinese the wall.Its rational state is simplicity of true art.The painters are landscape artists of character and environment of living soul communicate.Chinese people follow the Chinese culture and tradition,they must return to Chinese culture created from our ancestors in the body for their continued flashes of wit. |
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| Keywords: | Assimilation of object and self Ration from spiritual transcendence Unity of time and space Interaction of poems and paintings |
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