清代词学批评视野中的词源论

清代词学批评视野中的词源论,主要体现在三个维面：一是词为＂诗余＂之论,二是词为＂倚声＂之论,三是词为＂诗余＂与＂倚声＂相结合之论。在第一个维面,其主要包括三条线索：一是从总体上阐说词源于诗体,二是分论词源于风骚之体,三是分论词源于唐人近体诗;在第二个维面,其主要包括两条线索：一是侧重从音调渊承上论说词源于乐府之体,二是侧重从体制渊承上论说词源于乐府之体。上述几个维面,共构出了我国古典词源论的主体空间。

Discussion on the Origin of Ci-poetry in View of Ci-poetry Criticism in the Qing Dynasty

The discussion on the origin of Ci-poetry in view of Ci-poetry criticism in the Qing Dynasty,mainly embodies in three aspects: Ci-poetry is beyond poems,Ci-poetry rely on music,Ci-poetry as the combiation of beyond poems and rely on music.The first aspect mainly include three clues: the first explains the Ci-poems origins from poems as a whole,the second is that Ci-poems origins "feng sao",the third Ci-poems origins from Tang poems;The second aspect mainly includes two clues: the first explain the Ci-poems origin from "yue fu" poems from the angle of music and tone,the second is explains the Ci-poems origins from "yue fu" poems from the angle of body and style.The above-mentioned aspects compose the main space of Chinese classical theory of Ci-poetry origin altogether.