| 互文性与比较诗学视域的融合 |
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| 引用本文： | 王光利,徐放鸣.互文性与比较诗学视域的融合[J].扬州大学学报(人文社会科学版),2008,12(3):92-98. |
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| 作者姓名： | 王光利 徐放鸣 |
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| 作者单位： | [1]徐州师范大学文学院,江苏徐州221116; [2]徐州师范大学校机关,江苏徐州221116 |
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| 摘 要： | 比较视域是比较诗学汇通性研究的主体，跨民族、跨语言、跨文化、跨学科构成了比较视域的基本内涵。文本之间互文性的客观存在使异质文化（如中西文化）诗学理论文本间互为交织、互为引义、互为转换的网络互渗层面得以成立，为比较视域融合（交集）的确立奠定了存在基础，从而为比较视域的拓展开辟了新的研究思路与方法。只有建立在互文关系之上，以融合的比较视域为本体的比较诗学研究才是真正学理意义上的互照互识的汇通性研究。
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| 关 键 词： | 互文性 比较诗学 视域融合 交集 |
Intertextuality and the Merging of Perspective in Comparative Poetics |
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| WANG Guang-li,XU Fang-ming.Intertextuality and the Merging of Perspective in Comparative Poetics[J].Journal of Yangzhou University(Humanities and Social Sciences Edition),2008,12(3):92-98. |
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| Authors: | WANG Guang-li XU Fang-ming |
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| Institution: | WANG Guang-li; XU Fang-ming(1. School of Chinese Language and Literature, Xuzhou Normal University, Xuzhou 221116, Jiangsu, China; 2. School Administrative Body, Xuzhou Normal University, Xuzhou 221116, Jiangsu, China) |
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| Abstract: | The principal part of comparative poetics study is comparative perspective, which is based on multi-nations, multi-languages, different cultures and multi-disciplines. Intertextuality makes it reasonable that culturally different poetics are interwoven and have mutual influence on each other, which, in turn, lays the foundation for the merging of comparative perspectives and initiates new approaches to comparative poetics study. Doctrinally speaking, a real architectonic comparative poetics study must be based on intertextuality and have merged comparative perspeetives as its principal part. |
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| Keywords: | intertextuality comparative poetics the merging of perspectives intersection |
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