| 《九歌》性质新论 |
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| 引用本文： | 张厚知.《九歌》性质新论[J].云梦学刊,2010,31(3):52-55. |
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| 作者姓名： | 张厚知 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 《九歌》既不是用于国家祭典的歌词，也不只是对民间祭祀鄙陋之辞的加工，而是屈原流放沅湘之际，由于所见民间祭祀所表现出的人神交接的艰难与他不遇心态的契合，激发了他的创作冲动，于是调动往昔宫廷祭祀的知识经验予以整合，是融合国家祀典和民间祭祀的艺术创造，是他遭谗被疏后悲愤深婉的情感寄托。
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| 关 键 词： | 《九歌》 国家祀典 民间祭祀 融合 情感 |
ON JIU GE'S CHARACTER |
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| ZHANG Hou-zhi.ON JIU GE'S CHARACTER[J].Journal of Yunmeng,2010,31(3):52-55. |
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| Authors: | ZHANG Hou-zhi |
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| Institution: | ZHANG Hou-zhi (School of Chinese Language and Literature, Beijing Normal University, Beijing 100875,China) |
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| Abstract: | Jiu Ce is neither the lyrics of national sacrificial ceremony, nor the words modified of shallow folk worship. When Qu Yuan was exiled to Yuan-Xiang area, he saw the civil worship which showed hardship of contact between people and God, and which was in accordance with his mentality of estrangement, that inspired his writing. He combined the knowledge and experience of the past imperial sacrifices and of the civil worship. Jiu Ge expressed Qu Yuan＇s sadness after he was exiled. |
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| Keywords: | Jiu Ce national sacrificial ceremony civil worship combination emotion |
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