论中国新诗太阳意象的时代性

在中国古诗词中,优美的月亮意象众多,而为数相对较少的太阳意象则多被弱化,其缘由在于多数中国人阴柔的个性、中国静态型的文化、中国社会结构 2 000年的超稳定。从“五四”始,阳刚的太阳意象取代月亮意象。在中西文化碰撞中,西方文化取得优势,许多中国人被迫由静转向动,以西学向静的文化传统发起猛攻,郭沫若等人的太阳诗歌就是在这个背景下对时代精神的把握。解放后,太阳意象泛滥一时,但因缺乏科学与民主的精神,这些诗作属于一种太阳崇拜。直至改革开放后,太阳意象才恢复了应有的内在意蕴。

Sun Images of Chinese New Poetry Explained Based on Culture

There are many fine moon images,but fewer sun images weakened mostly in ancient poetry,because of the Chinese negative individuality,the Chinese culture model being calm,and social structure being stable during the past two thousand years.From the May 4th on,the strong sun images replaced the moon ones.When (culture) (collision) took place between the east and the west,the culture of the west gained superiority,the Chinese were forced to change their nature from static state to dynamic state,the sun poems being written by Guo Moruo and others (embodied) the spirit of the time.After liberation,the sun images prevailed for a time,but these poems reflect worship of the sun because of the absence of the spirit of science and democracy.The sun images have resumed its former meanings until reform and opening to the outside world.