"和谐形态"在认识论框架中的透视--中西比较美学的一种视角

把"和谐"置于哲学认识论框架中进行分析透视、厘定把握,可以得出三种具有确定性、代表性的和谐形态一是主体性和谐,二是客体性和谐,三是主体-客体之间的和谐.在这三种和谐形态中具体体现了中西美学的不同风貌、特征及其趋同性主体性和谐及客体性和谐分别代表了中西美学的不同侧重点,而主体-客体之间的和谐则体现着中西美学共同的渴望与追求.对和谐作认识论的形态划分,并能从哲学的高度抽象中界定中西美学的差异性与共同性,相信是一种有益的探索.

A Perspective View of "Harmonious Form" Within the Frame of Epistemology--A Visual Angle for Sino - West Comparative Aesthetics

This paper probes into harmony within the frame of epistemology and summarizes three kinds of typical harmonious form.They are the harmony of subject, the harmony of object, and the harmony between subject and object. This paper considers that three kinds of harmonious form can embody the characteristics of comparative aesthetics, and the harmony of subject and the harmony of object can embody the difference of it, and the same hope is embodied by the harmony between subject and object. It is an exceptional thing to probe into the difference and the sameness in sino-west comparative aesthetics from the visual angle of philosophical epistemology.