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佛学禅宗与金批《西厢记》
引用本文:孙开东.佛学禅宗与金批《西厢记》[J].齐鲁学刊,2003(1):28-32.
作者姓名:孙开东
作者单位:南京大学中文系,江苏,南京,210093
摘    要:金批《西厢记》受佛学禅宗影响甚深 ,金圣叹用“赵州无”公案阐释了艺术创作中超越艺术构思之“有”“无”的充分自由的特定创作规律 ,并由此揭示《西厢记》所潜涵的超越意识观念之“有”“无” ,从而达到无住无念 ,精神绝对自由的生命境界的思想意旨 ;用佛禅的虚空、梦幻观念解析了《西厢记》人生如梦及追求随缘任运的人生境界的思想内涵 ;用“极微”论等阐释了《西厢记》小中见大的创作方法。金圣叹对《西厢记》的艺术解析是立足于作品实际的科学阐释 ,而对思想的解读则完全是出于寄托人生感慨的自我需求

关 键 词:佛学禅宗  金圣叹  《西厢记》  赵州无  虚空梦幻  极微
文章编号:1001-022X(2003)01-0028-05
修稿时间:2002年2月14日

Buddhism,Chan Sect and the West Chamber Commented by Jin Sheng-tan
SUN Kai,dong.Buddhism,Chan Sect and the West Chamber Commented by Jin Sheng-tan[J].Qilu Journal,2003(1):28-32.
Authors:SUN Kai  dong
Abstract:The West Chamber commented by Jin Sheng tan was influenced by Buddhism and Chan Sect greatly. Jin Sheng tan explained the law of art produce with Zhao zhou Wu issue which transcends "You" and "Wu" of art conception, from this he revealed the work's intention that the pursuit of absolutely spirit freedom which transcends "You" and "Wu" of idea. Jin analysed the work's intention that life is but a dream and the pursuit of impermanent life with Nihility and Dream. He expounded the method that much in little of art produce with Anu. The art interpretation of Jin was scientific because it based on the works , but the explaining about the intention was absolutely stem from Jin's requirement that is reposing reflection of life.
Keywords:Buddhism and Chan Sect  Jin Sheng  tan  the West Chamber  Zhao  zhou Wu  Nihility  Anu  
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