| 杨慎崇尚六朝的诗学取向的批评史意义 |
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| 引用本文： | 邓新跃.杨慎崇尚六朝的诗学取向的批评史意义[J].唐都学刊,2007,23(2):104-106. |
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| 作者姓名： | 邓新跃 |
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| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,411201 |
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| 基金项目： | 湖南省社会科学基金;湖南省社会科学基金 |
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| 摘 要： | 杨慎对六朝诗风的崇尚,是对前七子“诗必盛唐”的反拨,突出表现为对《选》诗的诗歌史地位的强调,对于探讨近体律诗的源头与辨析古近体诗差异,在明代诗学辨体批评史上具有独特的意义,但也带来了以词为诗而导致的“纤艳不逞”的诗风流弊。
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| 关 键 词： | 杨慎 六朝诗风 诗学辨体 批评史意义 |
| 文章编号： | 1001-0300(2007)02-0104-03 |
| 修稿时间： | 2006年12月20 |
The Significance of YANG Shen's Trend of Poetic Style in Literary Criticism History |
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| DENG Xin-yue.The Significance of YANG Shen''''s Trend of Poetic Style in Literary Criticism History[J].Tangdu Journal,2007,23(2):104-106. |
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| Authors: | DENG Xin-yue |
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| Abstract: | YANG Shen's love for the poetic style of the Six Dynasties is characterized by his stress on Xuan poems in the poetic history of China, which is of great significance in the poetic criticism of the Ming Dynasty by seeking the origin of modern style poetry and distinguishing ancient style poetry from modern style poetry. However, YANG Shen's poetic concept brings about some disadvantageous poetic styles. |
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| Keywords: | YANG Shen poetic style in the Six Dynasties poetic style significance in literary criticism |
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