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台湾诗歌对后现代主义的接受与变形
引用本文:赵小琪. 台湾诗歌对后现代主义的接受与变形[J]. 学习与探索, 2000, 0(6)
作者姓名:赵小琪
作者单位:武汉大学中文系!湖北武汉430072
摘    要:
台湾诗歌在 80年代对西方后现代主义文学的选择和接受具有一种历史必然性 ,这使得台湾诗歌典范发生了三种变动 ,即 :反纯粹性的本文混杂 ;反深度的事物本原化 ;反确定性的语符游戏。由于受时代的、民族精神的和文化心理的影响 ,台湾诗歌理论与创作又呈现了在特殊接受语境中发生的变异 ,即 :台湾诗人对“本体”的怀疑是一种方法论意义上的怀疑 ;他们将语义的不确定性往往归结于语言本身的局限性

关 键 词:后现代主义  本文混杂  本原事物  语符游戏  变异  台湾诗歌

Taiwan poetry's reception from the post-modernism of its metamorphosis and change
ZHAO Xiao qi. Taiwan poetry's reception from the post-modernism of its metamorphosis and change[J]. Study & Exploration, 2000, 0(6)
Authors:ZHAO Xiao qi
Abstract:
It is a historical necessity for Taiwan poetry to choose from and accept the western post-modernism literature in 1980's. The choice and reception caused three changes in the model of Taiwan poems. They are: the anti-purity of heterogeneity of texts, the anti-depth of thing-in- itself and the anti-certainty of games of the difference of lansigns. Because of the influence of the era, the national spirit and the cultural psychology, the theory and creation of Taiwan poems show the change caused in the special linguistic surroundings of acceptance, that is, the Taiwan poets' doubt on thing-in -itself is the doubt on the significance of methodology. They think that the uncertainty of semantic often comes from the limitations of the language itself.
Keywords:Post-modernism  heterogeneity of texts  thing- itself  games of lansigns  heteromorphosis  Taiwan poetry
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