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论中外戏剧中的“停顿”
引用本文:胡健生. 论中外戏剧中的“停顿”[J]. 新疆大学学报(社会科学版), 2000, 0(3)
作者姓名:胡健生
作者单位:曲阜师范大学中文系!山东曲阜273100
摘    要:“停顿”是一个重要的戏剧术语 ,系指人物没有台词、没有明显的形体动作。众所周知 ,戏剧是动作艺术 ,动作乃戏剧之最基本要素 ,而“停顿”无疑是整个戏剧动作的有机组成部分。从戏剧内在情节发展环节的视角而论 ,“停顿”堪称剧作家使戏剧富有“节奏化”的一种重要艺术手段 ;而若就刻画人物的视角推敲 ,“停顿”则不失为剧作家揭示人物复杂诡秘之内心世界的特殊而独到的表现手法、艺术技巧之一

关 键 词:中外戏剧  节奏化  停顿

On the "pause" in the drama of China and foreign countries
HU Jian-sheng. On the "pause" in the drama of China and foreign countries[J]. Journal of Xinjiang University, 2000, 0(3)
Authors:HU Jian-sheng
Abstract:The "pause' is a very important drama jargon, meaning that the figure on the stage has not eitherdialogues or any obvious body-action. It is well known that The drama is an art of action, the action is itsbasic vital factor ; the "pause" doubtlessly belongs to one organic component part of its whole drama actions.On the visual angle of the plot-development link of the drama. the "pause" may be rated as an importantmeans which the dramatists hold rhythms ; if on the visual angle of the depicting-figure, the "pause" may stillbe accepted as a special and original form of expression and artistry, that the dramatists set forth the figure'scomplicated and secretive inner world. [
Keywords:the drama of China and foreign countries  Rhythms  Pause
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