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试论中国现当代钢琴音乐的创作取向
引用本文:连苹.试论中国现当代钢琴音乐的创作取向[J].汕头大学学报(人文社会科学版),1997(4).
作者姓名:连苹
作者单位:汕头市教育学院
摘    要:回顾中国钢琴音乐创作70多年的发展历史,诠释各时期重要作曲家的钢琴创作,进而阐明在世界性文化交融的背景下,寻找东西方音乐文化的最佳结合点,探索外来器乐──钢琴艺术的中国风格和民族特色,乃中国钢琴音乐创作之主潮。文章充分肯定这一创作取向的文化意义。

关 键 词:文化融合,西方音乐文化,中国音乐文化,中国钢琴创作

Piano music compositionorientation in modern and contemporary China
Lian Ping.Piano music compositionorientation in modern and contemporary China[J].Journal of Shantou University(Humanities Edition),1997(4).
Authors:Lian Ping
Abstract:This paper traces the historical development of China's piano music composition over a time period of more than seven decades and interprets the piano music creation by important composers at various stages , then goes on to expound that the predominant trend of China's piano music composition should , in the background of world cultural fusion , look for the optimum binding point for Eastern and Western music cultures and find out the national distinctions of Chinese style in the art of piano as one of the many musical instruments from abroad. The paper speaks highly of the cultural significance of this music composition orientation.
Keywords:cultural fusion Western music culture Chinese music culture piano music compositon in China  
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