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论谢灵运的“文体宜兼,以成其美”的创作观
引用本文:唐爱明.论谢灵运的“文体宜兼,以成其美”的创作观[J].殷都学刊,2008,29(2):53-56.
作者姓名:唐爱明
作者单位:四川大学,文学与新闻学院,四川,成都,610064;西华师范大学,文学院,四川,南充,637002
摘    要:六朝是我国哲学与美学大发展时期。作为诗运转关文学家的谢灵运,在其哲学思想及创新思维指导下,也产生了颇有特色的创作思想。尤其是他的“文体宜兼,以成其美”的创作自觉,以审美的标准打破文体间的绝对界限,互吸互融,从而兼善各体,风格多样,突破了传统的源自儒家“正名”思维“辩体”观念,有利于文学的多元化发展。

关 键 词:谢灵运  创作思想  文体宜兼  文体

On Xie Lingyun's Fusion of Different Writing Styles
TANG Ai-ming.On Xie Lingyun''s Fusion of Different Writing Styles[J].Yindu Journal,2008,29(2):53-56.
Authors:TANG Ai-ming
Institution:TANG Ai-ming ( 1. School of Literature and Journalism , Sichuan University, Chengdu 610064, China ; 2. School of Literature, China West Normal University, Nanchong 610072, China )
Abstract:The Six Dynasties witnessed a thriving of philosophy and aesthetics of ancient China, of which Xie was Stimulated by the brand - new philosophic and creative ideas to give birth to his own principles of writing embedded in fusion of different writing styles, where Xie strongly suggested to tread the boundaries of writing styles thus to employ the strong points of each to the full extent, which produced profound influence on Chinese literature.
Keywords:Xie Lingyun  guiding principles of literary creation  fusion of different writing styles  writing styles
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