作为审美主体的人——蒋孔阳人本美学思想初探

从“意识与目的”“自由与自觉”“社会性与历史性”等方面，探讨蒋孔阳是如何把人当作美的中心，凸显人的本质和确立人的审美主体地位的。蒋孔阳认为人的本质具体表现为人的本质力量，人在劳动实践中把本质力量对象化，美也在人的劳动实践中生成和创造。人在劳动实践的过程中，与客观世界发生着各种关系，而美只从人对现实的审美关系中产生。审美关系只对人而存在，它是美学研究的前提和出发点。美反作用于人的本质力量，可以促进人精神境界的提高和人类文明的进步。美具有重要的为人价值，人的生活需要美，所以人在劳动实践中欣赏美和创造美。

Human as Aesthetic Subject: a Preliminary Study on Jiang Kong-yangs Humanistic Aesthetic Ideology

From the aspects of “consciousness and purpose” “freedom and awareness” “sociality and historicity”, this paper discusses how JIANG Kong-yang took human as the center of beauty, highlighted the essence of human and established human’s status as the aesthetic subject. JIANG Kong-yang believed that the essence of human is their essential power which is turned to objects during labor practice and beauty was also generated and created in labor practice. In the process of labor practice, human forms various relations with the objective world while beauty is only born in the aesthetic relationship of human to reality. Aesthetic relationship exists only for human, which is the premise and starting point of aesthetic research. Beauty reacts on the essential power of human and it can promote the improvement of human spiritual realm and the progress of human civilization. Beauty has an important value to human, and human needs beauty in life, so human appreciates beauty and creates beauty in labor practice