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| 论学者在书法艺术上的地位与作用 | |
| 引用本文： | 修士亮. 论学者在书法艺术上的地位与作用[J]. 青岛科技大学学报(社会科学版), 2003, 19(3): 79-80 |
| 作者姓名： | 修士亮 |
| 作者单位： | 青岛科技大学文学与艺术学院,山东,青岛,266042 |
| 摘 要： | 书法艺术是一门既古老又年轻的学科,从魏晋至民国,由于知识精英的参与使得这门艺术更加富有深邃而博大的精神内含。“书卷气”(帖学)的艺术格调占据着书坛领域大半壁江山,作为知识精英,书法应是手中驾轻就熟的“尖头奴”,而不被“笔”所桎梏。学者笔下本身所具有的特质的“书卷气”,是单纯书写的“书法家”所望尘莫及的。 |
| 关 键 词： | 书法 知识精英 书卷气 学养 |
| 文章编号： | 1671-8372(2003)03-0079-02 |
| 修稿时间： | 2003-05-20 |
Position and Influence of Intellectuals in the Art of Calligraphy |
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| XIU Shi-liang. Position and Influence of Intellectuals in the Art of Calligraphy[J]. Journal of Qingdao University of Science and Technology, 2003, 19(3): 79-80 | |
| Authors: | XIU Shi-liang |
| Abstract: | The art of calligraphy is an old and new subject. From Weijin dynasty to Xinhai Revolution, the art had become more profound and extensive because of intellectuals participated in. The main style in calligraphy is "shujuanqi"(tiexue). The faulty and students of universities should be skilled in handwriting and not be shackled by "bi". The handwriting of intellectuals is unique, quite different from that of the experts of calligraphy and too inferior for them to bear comparison. |
| Keywords: | calligraphy intellectuals shujuanqi culture |
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