多元一体维度下石寨山型铜鼓纹饰的文化解读

以滇池盆地为中心的古滇国地理环境中产生的石寨山型铜鼓及其纹饰为图像文本,将石寨山型铜鼓纹饰纳入中国早期青铜文化发展演变序列中进行解读。石寨山型铜鼓的定名源于1980年在南宁召开的"中国古代铜鼓研究会",会上确立了铜鼓的"八分法"。石寨山型铜鼓在八大类型中独树一帜,纹饰特点鲜明,主要有翔鹭纹、羽人纹、牛纹、鹿纹、同心圆纹、锯齿纹等。在对纹饰元素的整合梳理的基础上,结合地理环境、历史背景,在中华多元一体的历史维度下,探讨石寨山型铜鼓纹饰形成的动力及其在由祀入礼、神权构建中的功用及意义。

Cultural interpretation of Shizhaishan Type Bronze Drums and Their Ornaments from the Dimension of Pluralistic Integration

This paper focuses on the image text of the bronze drums and their decoration in the geographical environment of the Ancient Dian Kingdom with Dianchi basin as the center and interprets the patterns of Shizhaishan type bronze drums as part of the evolution sequence of Chinese early bronze culture. The term "Shizhaishan type bronze drum" was coined during the "Symposium on Ancient Chinese Bronze Drums" held in Nanning in 1980, at which the "eight types of bronze drums" were summarized. Shizhaishan type bronze drum is unique with its exquisite ornaments in the eight types of bronze drums with patterns like flying egrets, feather men, cattle, deer, concentric circles, saw-teeth, etc.. Sorting out the decorative elements and taking geographical environment and historical background into consideration, the paper discusses the motive force, function and significance of Shizhaishan type bronze drums and their ornaments under the historical dimension of the pluralistic integration of Chinese nation.