| 《春江花月夜》“天人合一”的艺术特色 |
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| 引用本文： | 刘国祥. 《春江花月夜》“天人合一”的艺术特色[J]. 广西师范学院学报（哲学社会科学版）, 2005, 26(3): 59-61 |
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| 作者姓名： | 刘国祥 |
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| 作者单位： | 刘国祥（广西大学,文传学院,广西,南宁,530004） |
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| 摘 要： | <春江花月夜>一诗,作者运用中国古代的哲学整体思维方法,通过春、江、花、月、夜这些艺术的背景,表现了"天人合一"的哲学宇宙观,使诗篇的形象鲜明、生动的艺术画面中蕴含着深刻的哲理意识,哲理意识与艺术画面水乳交融,玲珑剔透,具有极高的艺术美.
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| 关 键 词： | 《春江花月夜》 “天人合一” 艺术特色 |
| 文章编号： | 1002-5227(2005)03-0059-03 |
| 修稿时间： | 2005-04-26 |
On the Artistic Style of "Harmony between Heaven and Human"in Moonlight on Flowery Spring River |
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| LIU Guo-xiang. On the Artistic Style of "Harmony between Heaven and Human"in Moonlight on Flowery Spring River[J]. Journal of Guangxi Teachers Education University, 2005, 26(3): 59-61 |
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| Authors: | LIU Guo-xiang |
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| Abstract: | In Moonlight on Flowery Spring River, the author showed his philosophical world view of "harmony between heaven and human" by using the philosophically universal way of thinking of the ancient China and describing those artistic settings of spring, river, flower, moon, and night. The vivid and distinctive artistic pictures contained profound philosophical ideas, which achieved a highly artistic beauty. |
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| Keywords: | Moonlight on Flowery Spring River," Harmony between Heaven and Human" ,Artistic Features, |
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