论新写实小说的反崇高倾向

上世纪80年代末出现的新写实小说注重社会底层平民生活的原生态描写,作家的零度感情介入,有些作品陷入低俗的泥淖,这些小说总体上鲜有表现时代民族命运的大主题,鲜有对民生疾苦的深切关注,鲜有对父老乡亲的大悲悯、大关怀,鲜有对人的尊严、疾苦、彷徨、被伤害等人性问题的强有力表现,鲜有崇高撼人的人格力量,鲜有宏大的气魄和笔力,总之,反思精神、启蒙精神、悲剧精神在新写实小说中趋于弱化。文学一但陷入低俗,这就是文学的悲哀。因此我们呼唤崇高,呼唤更多的具有思想价值和艺术价值的作品的出现,以满足人们的精神需求,这对提高整个民族的文化思想素质是有益的,对社会的发展是有益的。

On Anti-Majestic Images in New Documentary Fiction

New documentary fiction emerged in 1980s of the last century focused on aboriginal description of bottom average civilians and writers＇ emotional interference, yet some literal works trapped into gaudy or tawdry pit. The novels rarely generate themes of representing nationality fortune, of deepening concern on civilian misery, of benevolence and philanthropy on native civilians, of intense expression on human respect, grievances, hesitation, of characteristic power with lofty , of grand courage and writing skill. Spirits of reassessment, enlightenment and tragedy tend to be undermined. Once the literature falls into vulgarity, that will be grief of literature. Therefore, we yell sublime, yell more emergence of works with ideological and artistic values to meet spiritual requirement, this proves beneficial for improve the entire nationality＇s cultural and ideological qualities and social development.