| 论物态化的审美意象 |
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| 引用本文： | 张伟. 论物态化的审美意象[J]. 阴山学刊, 2010, 23(3): 57-61 |
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| 作者姓名： | 张伟 |
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| 作者单位： | 包头师范学院学报编辑部,内蒙古包头014030 |
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| 摘 要： | 意象是个歧义颇多的概念,有中西之别,古今之异。意象是艺术创作主体充分调动审美想象力,化＂意＂为＂象＂的创造物,是一种承载着审美经验的具有感性物质外观的形态。生产艺术产品,就是将＂人心营构之象＂物态化。从创作主客体关系和艺术对现实的不同反映方式来看,艺术产品分为再现型、表现型、象征型,呈现迥异的审美风貌。
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| 关 键 词： | 意象 物态化 再现 表现 象征 |
On the State of Aesthetic Images |
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| ZHANG Wei. On the State of Aesthetic Images[J]. Yin Shan Academic Journal, 2010, 23(3): 57-61 |
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| Authors: | ZHANG Wei |
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| Affiliation: | ZHANG Wei (Editorial Department of the Academic Journal, Baotou Teachers College; Baotou 014030) |
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| Abstract: | Image is an ambiguous concept, and has differences between China and the West, ancient and mod- ern. The image is the production of the artistic creation main body fully mobilizing their aesthetic imagination, con- verting ＂meaning＂ to ＂image＂, and is a form of perceptual material appearance loading the aesthetic experience. The artistic production is to perform the ＂imago constructed by human hearts＂ according to the state of thing. From the relationship between subject and object and different presentations of art on reality, the artistic products are di- vided into playback, phenotype, symbolization, showing different aesthetic conceptions. |
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| Keywords: | Image Performing according to the state of thing Playback Phenotype Symbolization |
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