| 论老舍的戏剧语言艺术 |
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| 引用本文： | 张雁泉. 论老舍的戏剧语言艺术[J]. 南都学坛, 2001, 21(4): 58-64 |
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| 作者姓名： | 张雁泉 |
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| 作者单位： | 郑州工业高等专科学校,高教研究室,河南,郑州,450007 |
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| 摘 要： | 在老舍的戏剧艺术成就之中,语言艺术的卓越发挥,贯穿于其艺术精神的始终,是他戏剧艺术创新成就的核心与精粹之所在。在其话剧作品中,俗白口语的运用精致而不事雕琢,语言的口语化使其作品充满生活气息,同时,又以具有性格化、幽默性、哲理性等特色的语言表现方式的有机结合,开创了民族语言纯洁化、口语戏剧化的独特范式。
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| 关 键 词： | 戏剧语言 口语化 性格化 幽默性 哲理性 |
| 文章编号： | 1002-6320(2001)04-0058-07 |
| 修稿时间： | 2001-04-25 |
On Laoshe's Arts of Drama Language |
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| ZHANG Yan-quan. On Laoshe's Arts of Drama Language[J]. Academic forum of nandu, 2001, 21(4): 58-64 |
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| Authors: | ZHANG Yan-quan |
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| Abstract: | Among the achievements of drama arts scored by Laoshe, the whole artistic spirit is penetrated with perfect performance of language, which is the core and essence of his creation on drama arts. In his dramas, the usage of colloquialism pursues exquisiteness yet not ornate style.The colloquialism makes the works filled with flavor of life;meanwhile.he initiates the purification of national language-unique style of dramatized colloquialism by means of combination of characterization,humor,philosophization and other forms of expression. |
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| Keywords: | drama language colloquialism characterization humor philosophization |
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