|
|||||
|
|
| 郭象玄学与中国山水审美的独立 | |
| 引用本文： | 蔡劲松. 中国山水画及山水精神的哲学阐发[J]. 北京航空航天大学学报社会科学版, 2019, 32(1): 78-83. DOI: 10.13766/j.bhsk.1008-2204.2018.0340 |
| 作者姓名： | 蔡劲松 |
| 作者单位： | 1.北京航空航天大学 人文与社会科学高等研究院, 北京 100083 |
| 摘 要： | 山水画是中国传统绘画类别中成就最高、影响最大的典型代表，其图式格局、审美意味、哲学意蕴等诸多特质，在中国艺术史乃至世界艺术史中，都具有十分重要的地位。就山水画从 |
| 关 键 词： | 中国传统绘画 山水画论 艺术景观 审美结构 山水精神 哲学意蕴 |
| 收稿时间： | 2018-11-14 |
Philosophical Interpretation of Chinese Landscape Painting and Landscape Spirit |
|
| CAI Jinsong. Philosophical Interpretation of Chinese Landscape Painting and Landscape Spirit[J]. Journal of Beijing University of Aeronautics and Astronautics Social Sciences Edition, 2019, 32(1): 78-83. DOI: 10.13766/j.bhsk.1008-2204.2018.0340 | |
| Authors: | CAI Jinsong |
| Affiliation: | 1.Institute for Advanced Studies on Humanities and Social Sciences, Beijing University of Aeronautics and Astronautics, Beijing 100083, China |
| Abstract: | Landscape painting is the most successful and influential representative of traditional Chinese painting. Its pattern, aesthetic implication, philosophical spirit and many other characteristics play an important role in the history of Chinese art and even the world art history. The paper analyzes the philosophical implications of landscape painting from the space-time pattern transformation from |
| Keywords: | chinese traditional painting theory of landscape painting scenery of art structure of aesthetic landscape spirit philosophical implication |
| 点击此处可从《北京航空航天大学学报(社会科学版)》浏览原始摘要信息 | |
| 点击此处可从《北京航空航天大学学报(社会科学版)》下载全文 | |