| 论民间美术的独立品性 |
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| 引用本文： | 黄平. 论民间美术的独立品性[J]. 南京工业大学学报(社会科学版), 2004, 3(4): 65-67 |
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| 作者姓名： | 黄平 |
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| 作者单位： | 江苏泰州高等师范专科学校,艺术系,江苏,泰州,225300 |
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| 摘 要： | 在中国美术发展史上,民间美术是最先出现而一直延续不断的艺术。但随着时间的推移,民间美术便没有了主流地位,而为人们所忽略。其实,民间美术有着独特的魅力,这一魅力来源于民间美术的独立品性,本文分别从艺术共性大于个性、意像手法、二维空间观、主观分色等几个方面做了比较详尽的论述。
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| 关 键 词： | 民间美术 独立品性 意像手法 |
| 文章编号： | 1671-7287(2004)04-0065-03 |
| 修稿时间： | 2004-10-20 |
On the Unique Character of Folk Art |
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| Huang Ping. On the Unique Character of Folk Art[J]. Journal of Nanjing University of Technology(Social Science Edition), 2004, 3(4): 65-67 |
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| Authors: | Huang Ping |
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| Abstract: | Folk art exists in Chinese art history. Though it develops steadily, as time goes on, it is neglected by and by. In fact, folk art has its unique charm, which comes from its unique character. This paper discusses its uniqueness from the aspects of common and special characters of art, imagery means, 2D space view and subjective color selections. |
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| Keywords: | folk art independent characters imagery means |
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