| 王士祯“神韵说”中文学创作理论的三个层面 |
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| 引用本文： | 赵理直.王士祯“神韵说”中文学创作理论的三个层面[J].吉林工程技术师范学院学报,2008,24(8):25-27. |
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| 作者姓名： | 赵理直 |
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| 作者单位： | 广东警官学院,公共部,广东,广州,515000 |
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| 摘 要： | 王士祯的“神韵说”是清初“四大诗歌理论”之一，涉及到诗歌的创作、评论诸多方面，包含的范围十分广泛。“神韵说”中有关诗歌创作理论的脉络十分清晰，主要分为以下三个层面：“识自本心”、“伫兴而就”，强调作家的悟性和创作灵感；学力深，始能见性情，强调作家的学识；“舍筏登岸、无迹可求”，学养、悟性、灵感结合后达到最高创作境界。
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| 关 键 词： | “神韵说” 创作论 顿悟 学力 |
The three aspects of writing theory of "Shen Yun Poetry Theory" |
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| ZHAO Li-zhi.The three aspects of writing theory of "Shen Yun Poetry Theory"[J].Journal of Jilin Teachers Institute of Engineering and Technology(Natural Sciences Edition),2008,24(8):25-27. |
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| Authors: | ZHAO Li-zhi |
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| Institution: | ZHAO Li - zhi (Basic Department, Guangdong Police Offtcer College, Guangzhou Guangdong 515000, China) |
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| Abstract: | As one of the "Four Poetry Theory" in Qing Dynasty,"ShenYun poetry theory" involves a large aspects in critical theory,include the author,the work and the reader and so on.The article analyses three aspects of the writing theory in "ShenYun Poetry Theory". |
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| Keywords: | "ShenYun Poetry Theory" writing theory intuition knowledge |
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