| 以"心"为美——中国古代美学的表现主义精神 |
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| 引用本文： | 祁志祥.以"心"为美——中国古代美学的表现主义精神[J].复旦学报(社会科学版),2003(1):101-107. |
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| 作者姓名： | 祁志祥 |
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| 作者单位： | 上海财经大学,人文学院中文系,上海,200433 |
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| 摘 要： | 以“心”为美,是中国古代关于美本质当然状态的价值界定。这种表现主义的美学观念,存在于中国古代美学的“比兴”说、“神韵”说、“意味”说中。它认为,自然美的本质在人格化、心灵化,人物美的本质在心灵精神,艺术美的本质在心灵意蕴的表现。这种美本质观,渊源于古代宗法社会“内重外轻”的向心文化。
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| 关 键 词： | 美 本质 心灵 表现 |
| 文章编号： | 0257-0289(2003)01-0101-007 |
| 修稿时间： | 2001年9月10日 |
Taking Idea as Beauty |
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| Qi Zhi-xiang.Taking Idea as Beauty[J].Fudan Journal(Social Sciences Edition),2003(1):101-107. |
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| Authors: | Qi Zhi-xiang |
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| Abstract: | Taking "idea as beauty is the value definition of the natural state of the essence of beauty in ancient China. This expressionist aesthetic conception exists in the theory of "figure","spirit" and "meaning". According to this conception,the essence of natural beauty lies in personification and mentation;the beauty of a character lies in his spirit and the artistic beauty lies in the expression of his spirit. This concept of the essence of beauty originates from the spirit ~ oriented culture of attaching importance to the spirit while neglecting its expression. |
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| Keywords: | beauty essence spirit expression |
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