“流观”华夏神话思维在中国30年代现代派诗歌中的体现

一、模式概说何谓“流观”?就是“气化流行,生生不息”的宇宙观念。房龙曾说中国人不懂得焦点透视①,初闻确有贬损之意,但这又是一个十分客观的说法:中国人的思维习惯是从以大地,上下为中心出发的宇宙观念,不但在神话哲学里,而且在华夏美学里都有一个区别于其他民族的美学思维,

The Chinese Mythical Thinking" Liuguan" in the 1930's modernist Poetry

An invisible"spirit"runs through the visible structure cf modernist poetry in the 1930's modernist poetry.It is the trace which is saist by Derrida to play a crucial role at the end of the works.This dissertation tries to discuss the function that Chinese mythical thinking plays in the generation of poetic meaning,which is considered as the "trace"in modernist poetry,and the philosophical degree of poetic meaning reached by the"trace",so as to interpret and appreciate the modernist poetry aesthetically.