“没有晚清,何来五四”与现当代文学学科话语增生

"没有晚清,何来五四"对晚清文学知识考古式重返,把现代文学起点推到晚清,拓宽了现代文学疆界,并从对现代起源的关注转向如何想象并谈论中国"现代"的方式,引发了现当代文学研究范式的转换。论断对晚清现代性想象的释放,引发十七年文学"反现代的现代性"的探讨,使其在"革命中国"的阐释中具有了知识范畴的独立性和类似"乌托邦"的价值品格。而寻找中国现代性的努力暗合了中国作为大国经济崛起的"现实",这种承认的政治让现代性变成政治正确的概念而空洞化,重新落入西方思维模式中。对论断的反思是研究者超越时代限定并使现当代文学学科与研究者获得独立品格,走向成熟的关键。

Late Qing Literature as Method, Knowledge and Imagination: "No Late Qing, No May Fourth" and the Disciplines Discourse Proliferation of Modern Literature

"No Late Qing,No May Fourth"returns to the Late Qing literature archaeologically,pushes the beginning of modern literature to the late Qing Dynasty,broadens the boundaries of modern literature,and turns attention from the origin of modern to imagine the way of "modern" China,leads to the paradigm shift of modern literature.It releases modernity of the Late Qing Dynasty,causes the discussion of anti-modern modernity of 17-years’ literature,and makes it with independence of the knowledge domain and value character like Utopia in the interpretation of "Revolution China".The efforts of looking Chinese modernity coincides the reality of China as a great economic power,this recognized politics makes modernity inanition as hollowing of political correct concept,and re-falls into the mode of western thinking.The reflection of the thesis is the key for the researchers and modern literature beyond the age limit to acquire independent character,and to move towards discipline mature.