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20世纪40年代中国文学批评的三种模式
引用本文:张清民. 20世纪40年代中国文学批评的三种模式[J]. 北京联合大学学报(人文社会科学版), 2004, 2(2): 38-40
作者姓名:张清民
作者单位:河南大学,文学院,河南,开封,475001
摘    要:
20世纪40年代,中国文学批评有三种阐释模式:一是直接运用理论对文本进行解释;一是运用某种理论分析具体文本,同时阐述所运用理论的精神和实质;一是在进行文本批评时,根据自己的体验,阐述自己对文学基本理论的理解和认识.此类批评实践指导和规范了当时的文学创作实践,其自身也成为具有再生能力的活的文学知识.

关 键 词:20世纪40年代  中国文学  批评模式  中国  文学批评  三种模式  Literary Criticism  Chinese  文学知识  再生能力  创作实践  规范  实践指导  理解和认识  文学基本理论  体验  文本批评  阐述  分析  解释  运用  阐释模式
文章编号:1672-4917(2004)02-0038-03
修稿时间:2004-03-05

Three Patterns of Chinese Literary Criticism in 1940s
ZHANG Qing-min. Three Patterns of Chinese Literary Criticism in 1940s[J]. Journal of Beijing University(Humanities and Social Sciences), 2004, 2(2): 38-40
Authors:ZHANG Qing-min
Abstract:
In 1940s,there were three interpretive patterns in the field of literary criticism.One type was that the commentator interpreted a text directly according to literary theory;one was the critic analyzed a text,whereas interpreted the spirit and essence of the literary theory which the used; the third is the critic interpreted his understanding of the basic literary theory according to the experience of himself when he analyzed a text.These critical practice instructed the creation of literature,and critic themselves became active literary knowledge that had reproductive capability.
Keywords:s  Chinese literary  critical patterns
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