当代中国的音乐及社会差序——京剧票友会与摇滚乐队“派对”比较研究

本文主要探讨当代中国的两种音乐活动形式——京剧票友会以及摇滚乐队派对。这两种音乐形式虽然在风格上截然不同,但是两种社团在结构上却存在着一定的相似性。这两种活动形式基本上都具有我们所称之为＂为位＂（positioning）的行为,参与者由此在音乐活动中找到他们各自的位置。而且,两种活动形式都涉及到＂外来者的融入＂（outsider integration）,即允许陌生人的参与并在活动中找到他们的位置。

Music and Social Hierarchy in Contemporary China——A Comparison of Beijing Opera Amateur Sessions and Rock Groups “Parties”

This article addresses two forms of musical events in contemporary China： the sessions during which Beijing opera amateurs get together,and the ＂parties＂which are organized by rock musicians. Through a comparative analysis of the structure of the two apparently different forms of musical events,the author notes that both events are more than just musical and artistic events in that they both share some of the qualities of being ＂rituals＂ in the anthropological sense. The author states that the action of ＂positioning＂,i. e. the way in which participants find their place within the musical series,and ＂outsider integration＂,i. e. the way strangers or outsiders are integrated into the musical event,are deeply linked as complementary parts of the structure that organizes the expression of the social relationships between the participants. This is a relationship that is inclusive,yet at the same time situates everyone within a hierarchy of positions.