| 中国传统美学中的“意境”浅述 |
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| 引用本文： | 常德强.中国传统美学中的“意境”浅述[J].淮海工学院学报(社会科学版),2012,10(18):40-42. |
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| 作者姓名： | 常德强 |
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| 作者单位： | 连云港师范高等专科学校人文与美术学院,江苏连云港,222006 |
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| 摘 要： | “意境”是中国传统美学中很独特的一部分.相较于西方的理性科学主义,中国的“意”在艺术中的地位是不可忽视的.中国的艺术是一种感性的艺术,它描绘的是可以神游的意境,重视的是作者透过画面所透露出的思想情感.从“天人感应”到“有我之境”,中国艺术随着“意境”的提出和不断的深入,形成了一种与“道”协调,重视笔墨情趣的特殊内涵.而“意境”是依靠形体存在的,因而“形”、“神”、“情”、“理”的统一是中国“意境”文化的重要内容.
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| 关 键 词： | 意境 发展 形 神 |
"Artistic Conception" in Traditional Chinese Aesthetics |
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| CHANG De-qiang."Artistic Conception" in Traditional Chinese Aesthetics[J].Journal of Huaihai Institute of Technology,2012,10(18):40-42. |
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| Authors: | CHANG De-qiang |
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| Institution: | CHANG De-qiang(School of Humanities and Fine Art,Lianyungang Normal College,Lianyungang 222006,China) |
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| Abstract: | ＂Artistic conception＂ is a unique concept in traditional Chinese aesthetics.Compared with the Western advocation of reason and science,the part it plays in Chinese art can not be ignored.As an emotional art,the Chinese art is one where the spirit and the reality are combined with the emphasis on the emotions and feelings revealed from pictures.With the proposal and deepening of the concept ＂artistic conception＂,the Chinese art evolves from the ＂harmony between the heaven and man＂ to the ＂conception where self is a conscious being＂,conforming to the Chinese Tao to form its own connotations.As such a conception must coexist with a physical being,the unity of ＂form＂,＂spirit＂,＂emotion＂ and ＂reason＂ becomes an indispensable part of the Chinese culture of ＂artistic conception＂. |
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| Keywords: | artistic conception development form spirit |
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