李白乐府诗歌《蜀道难》等三首同音重复的语言风格

李白三十多岁初入长安时期创作的乐府诗歌《蜀道难》、《行路难》、《将进酒》是其诗歌创作第一高峰时期的代表作。本文运用汉语韵律学的理论,分析李白《蜀道难》等三首乐府诗歌中运用同音重复手段所产生的一唱三叹、突出主题、加重感情等音韵魅力和语言风格,揭示了作品中语言风格与托物言志的意境、“挥斥幽愤”的思想感情是融为一体的,让读者从新的角度体味李白乐府诗歌崇高的浪漫主义意境。

On the Phonetic Style of Homonym Repetition in LiBai's Shudaonan

Li Bai's three Yuefu poems,Shudaonan,Xinglunan,and Jiangjinjiu,which he wrote in his 30s when he first came to Changan,are generally regarded as his representative work. Li Bai was good at using homonym in poem writing,and when he had strong feelings,he would express them by repeating the homonym.This paper tries to reveal the phonetic style of homonym repetition in his three Yuefu poems,points out the style of language and how the poet expresses his deep emotions through describing objects so that readers will have a chance to appreciate the romantic and artistic taste in Li Bai's Yuefu poems.