| 论客家山歌“唱与腔”的传统音乐文化意义——以铜鼓客家山歌为例 |
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| 引用本文： | 李广贞,钟璟.论客家山歌“唱与腔”的传统音乐文化意义——以铜鼓客家山歌为例[J].南昌大学学报(人文社会科学版),2008,39(5). |
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| 作者姓名： | 李广贞 钟璟 |
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| 作者单位： | 1. 江西科技师范学院,音乐学院,江西,南昌,330013
2. 中国音乐学院,北京,100101 |
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| 基金项目： | 江西省高校人文社会科学研究项目课题 |
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| 摘 要： | 客家人在中国广泛分布于大江南北,客家山歌音乐各具有鲜明的传统文化特征.位于赣西北的江西铜鼓客家山歌是由来自粤、闽、赣南等地不同的客家音乐元素与当地原人的音乐元素长期碰撞,经过二三百年时间的磨合,从而形成其特定的传统"唱与腔"的风格特征.音乐中的语言与发声方式、润腔组成了传统"唱与腔"的结构基础,而通过山歌音乐所体现出来的情感与修养、自娱与表演等又共同印证了传统"唱与腔"的特征.
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| 关 键 词： | 铜鼓客家山歌 "唱与腔" "言与声" 润腔" "情感与修养" "自娱与娱人" |
On the Cultural Significance of Traditional Music of Hakkas Folk Songs's "Language and Voice"——A Case Study of Tonggu Hokkas Folk Song |
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| LI Guang-zhen,ZHONG Jing.On the Cultural Significance of Traditional Music of Hakkas Folk Songs''s "Language and Voice"——A Case Study of Tonggu Hokkas Folk Song[J].Journal of Nanchang University(Humanities and Social Sciences),2008,39(5). |
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| Authors: | LI Guang-zhen ZHONG Jing |
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| Institution: | LI Guang-zhen1,ZHONG Jing2(1.School of Music,Jiangxi Teachers\' College of Science , Technology,Nanchang 330013,China,2.China Music Institute,Beijing 100101,China) |
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| Abstract: | Hakkas are widely distributed in the north and south of China.Their folk song has a distinct traditional cultural characteristics.Tongku hakkas folk song has its specific traditional features.It develops from different Hakkas music elements from different places like Guangdong,Fujian and Gannan Language and voice and special singing were the basic elements of the traditional style of singing.Meanwhile,emotion-and-self-cultivation and self-entertainment and performance,reflected from folk song music,confirm ... |
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| Keywords: | Tonggu Hakkas folk song language and voice special singing emotion and self-cultivation self-entertainment and performance |
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