蒋孔阳是实践美学的创新者——对章辉博士评论的反批评

蒋孔阳是实践美学的总结者,但是,蒋孔阳不是实践美学的终结者,而是实践美学的创新者。蒋孔阳提出的“从审美关系出发”研究美学的思路,不仅是整个世界美学的发展趋势,而且也是对西方美学的主客对立二分思维方式的超越;蒋孔阳吸收古今中外的优秀美学资源,正好显示了蒋孔阳美学思想的开放性和创新性;蒋孔阳关于“美是人的本质力量的对象化”、“美在创造中”、“美是多层累的突创”、“人是世界的美”等命题也体现了蒋孔阳对于实践美学的创新发展,不仅在结论上,而且在研究的思路和方法上。蒋孔阳对实践美学的总结和创新是新实践美学的宝贵财富,新实践美学将沿着蒋孔阳先生的创新之路不断前进和发展,创新出中国特色的当代美学。

Jiang Kongyang: Innovator of the Practice Aesthetics

Jiang Kongyang is the summarizer of the practice aesthetics. He is not the terminator, but the innovator, of the practice aesthetics. The suggestion given by Jiang Kongyang that the study of aesthetics should “start with aesthetic relationship” is not only the developing trend of the aesthetics in the world, but also transcends the Western aesthetical notion that subject and object are opposing and dual. Jiang Kongyang imbibes excellent aesthetic resources in different times all over the world, which shows Jiang Kongyang's aesthetic thoughts are open and innovative. Jiang Kong-yang's propositions, like "Beauty is the objectification of the human essential force," "Beauty is in creation," "Beauty is cumulative emergence," "Man is the beauty of the world," also show the innovating development of Jiang Kong-yang on the practice aesthetics, both in the conclusions and in the research thoughts and methods. The summary and innovations of Jiang Kong-yang on the practice aesthetics are the precious wealth of the new practice aesthetics. The new practice aesthetics would make progress and develop continuously in the innovated way of Mr. Jiang Kongyang and would innovate Chinese characteristic contemporary aesthetics.