| 远境·藏境·玄境--论宋元山水画所表现的空间意识 |
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| 引用本文： | 贾静,王晓刚.远境·藏境·玄境--论宋元山水画所表现的空间意识[J].太原理工大学学报(社会科学版),2003,21(3):67-69. |
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| 作者姓名： | 贾静 王晓刚 |
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| 作者单位： | 1. 河北大学,艺术学院,河北,保定,071002
2. 河北大学,政法学院,河北,保定,071002 |
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| 摘 要： | 宋元山水画所表现的空间意识是中国人特有的宇宙意识、文化精神的真实写照。可用三种意境来形容 :远境 ,藏境 ,玄境。远境 ,侧重画法、技巧方面 ;藏境 ,侧重空间处理、布局层面 ;玄境 ,则侧重空间意识、宇宙精神层面。三者是依次深入、层层递进的关系 ,但又是浑然一体、不可分离的
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| 关 键 词： | 空间意识 意境 山水画 |
| 文章编号： | 1009-5837(2003)03-0067-03 |
| 修稿时间： | 2003年3月10日 |
The Distant,Hidden and Occult Artistic Concepts --on the consciousness of space in the landscape paintings in Song and Yuan Dynasty |
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| JIA Jing ,WANG Xiao gang.The Distant,Hidden and Occult Artistic Concepts --on the consciousness of space in the landscape paintings in Song and Yuan Dynasty[J].Journal of Taiyuan University of Technology(Social Sciences Edition),2003,21(3):67-69. |
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| Authors: | JIA Jing WANG Xiao gang |
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| Institution: | JIA Jing 1,WANG Xiao gang 2 |
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| Abstract: | The special consciousness which was expressed in the landscape paintings in Song and Yuan Dynasty is a typical feature of Chinese painting. It is a real portraiture about universal consciousness and cultural spirit. And it can be expressed by distant, hidden and occult artistic conception.The distant artistic conception emphasizes the aspect of the painting way and skill;the hidden one the aspect of settling and arranging;the occult one the aspect of spatial awareness and universal spirit.The three aspects are gradually embedded and mixed with each other. |
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| Keywords: | consciousness of space artistic conception painting of landscape |
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