| 在绝望中寻求解放——对“我”和蘩漪的女性解读 |
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| 引用本文： | 王文惠.在绝望中寻求解放——对“我”和蘩漪的女性解读[J].齐齐哈尔大学学报(哲学社会科学版),2007(3):100-102. |
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| 作者姓名： | 王文惠 |
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| 作者单位： | 湖北师范学院,湖北,黄石,435002 |
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| 摘 要： | 美国19世纪女性作家夏洛蒂.珀金斯.吉尔曼的小说《黄色墙纸》与中国现代著名作家曹禺的《雷雨》都塑造了遭到父权制家庭残酷压制的“疯女人”形象——“我”与蘩漪。作品中两个“疯女人”不约而同地以疯癫的形式反抗男权中心话语体系,宣讲了在这个“他者”社会中女性的自我主体意识,遗憾的是她们最终都没有突破男性自我的“他者”界定。
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| 关 键 词： | 自我 他者 疯癫 |
| 文章编号： | 1008-2638(2007)03-0100-03 |
| 修稿时间： | 2006年12月24 |
Mad Women in Antique House: A Feminist Study of the Yellow Wall paper and Thunderstorm |
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| WANG Wen-hui.Mad Women in Antique House: A Feminist Study of the Yellow Wall paper and Thunderstorm[J].Journal of Qiqihar University (Philosophy & Social Science Edition),2007(3):100-102. |
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| Authors: | WANG Wen-hui |
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| Abstract: | The Yellow Wall paper which was written by an American female writer Charlotte Perkins Gilman and Thunderstorm which was written by a Chinese writer Cao Yu portray two mad women "me" and "Fan Yi" who were oppressed by the patriarchy families respectively.They revolt man power system by some mad words and actions,and try to probe into the women's selves in "the other" society.It's a pity that "me" and "Fan Yi" still belong to "the other" as against men's selves although they have tried their best. |
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| Keywords: | selves the other madness |
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