| 《老子》美学思想的三个本原要素 |
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| 引用本文： | 孙振玉.《老子》美学思想的三个本原要素[J].中国社会科学院研究生院学报,2007(1). |
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| 作者姓名： | 孙振玉 |
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| 作者单位： | 中国人民大学哲学院 博士后 |
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| 摘 要： | 《老子》一书提出命名问题,命名问题就是一种名实配称关系。在名实配称关系中,名为自身真实性立法。在一种非配称的语境中,相对于名,象的审美意义被提出,《老子》美学堪称一种“观象”的美学。“为道”的美学为名与象的结构性错位提供一种比肩栖居的和谐园地,从此全新的本原要素检视《老子》美学,《老子》美学思想实质上可以归结为一种对个体自由规定的理性追寻。
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| 关 键 词： | 老子 名 象 道 |
Three Elements of Aesthetics of Laozi |
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| Sun zhenyu.Three Elements of Aesthetics of Laozi[J].Journal of Graduate School of Chinese Academy of Social Sciences,2007(1). |
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| Authors: | Sun zhenyu |
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| Abstract: | Laozi advanced a naming problem,which indicates a matching relation between name and truth.In the matching relation between name and truth, name sets up code for the facticity of itself.When there is not a matching relation between name and truth, the aesthefic meaning of the image is raised. The aesthetics of Laozi can be named an aesthetics of view-image. The aesthetics of Dao offers a field in which name and image in strutural malposition coexist harmoniousy.For this point, the aesthetics of Laozi can be come down to a rational search for individual freedom. |
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| Keywords: | Laozi name image Dao |
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