"学院派"文学批评与后现代性问题

“学院派”文学批评最明显的风格特征是将过去、现在乃至将来统统纳入自己的表达范围内,用极具前瞻性的语言来创造一种“怀乡”的体验。尽管在“学院派”批评中并不存在一个可以囊括一切的理论框架,但通过对不同研究价值取向以及不同研究范式之间的沟通与整合,一方面可以拓展(文学)研究的视野并确立其“视角”价值,另一方面可以发现或意识到各不相同的研究范式所存在的缺陷与不足,因而它带有浓厚的后现代性色彩。虽然“学院派”文学批评不是后现代主义思潮的逻辑产物,但它的发生无疑得益于“文化自觉”这样一个具有后现代性的全球化“语境”以及具有后现代性思维方式的表述策略。借助于“后现代”视角,我们不仅可以更好地认识“学院派”文学批评这种“文本”,还可以更好地理解由此而建立起来的带有后现代主义特色的当代“批评文化”。

Academic Criticism and Postmodern Theory

As for the academic criticism about literature,there is no universal principle or theory available,but by linking up all the different criticisms and exchanging various critical methods,it is evident to us that the academic criticism can not only enlarge the field of literature criticism but also find out the default of each critique,besides,academic criticism has developed somewhat unique conventional style of speech,which,to some extent,demonstrates postmodernism.It may be true that the academic criticism is not the logical product of the postmodernism,but from contemporary global cultural environment and the way of thinking,we can understand it better and can know what social effects and meanings it potentially gives.