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从版画艺术实践看山西抗日根据地文化的演变
引用本文:罗朝晖.从版画艺术实践看山西抗日根据地文化的演变[J].晋阳学刊,2005(2):8-10.
作者姓名:罗朝晖
作者单位:山西大学,历史文化学院,太原,030006
摘    要:版画艺术在山西抗日根据地文化中占有十分重要的地位,版画艺术从欧化倾向到大众化、民族化的过程集中反映了山西抗日根据地文化的演变。考察版画艺术在山西抗日根据地的实践与变迁,探寻在民族危亡的战火中根据地文化演变的历史,使我们进一步看到启蒙与对立、激进与保守、个体与群体、世界化与本土化的多元对立,进而凸现出根据地文化景观的深刻内涵。

关 键 词:版画  大众化  文化演变
文章编号:1000-2987(2005)02-0008-03
修稿时间:2004年10月21

On the Cultural Evolvement in Shanxi Anti-Japanese Base from Reviewing the Practice of Woodcut
LUO Zhao-hui.On the Cultural Evolvement in Shanxi Anti-Japanese Base from Reviewing the Practice of Woodcut[J].Academic Journal of Jinyang,2005(2):8-10.
Authors:LUO Zhao-hui
Abstract:The art of woodcut had a very important role in the culture in Shanxi Anti-Japanese base. Its evolution, from the European style to a popular and national style, mostly reflected the cultural evolvement in Shanxi Anti-Japanese base. The cultural practice not only built up the Chinese nation's confidence to resist enemies, but also confirmed the Chinese Communist Party's status . However, we have to face the frailty of this art in the base culture and the tragic spirit of the intelligentsia.
Keywords:print  popular style  cultural evolvement
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