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论中国古代艺术散文与诗歌的审美差异性
引用本文:苏保华.论中国古代艺术散文与诗歌的审美差异性[J].贵州大学学报(社会科学版),2000,18(2):52-59.
作者姓名:苏保华
作者单位:复旦大学,中文系,上海,200437
摘    要:以实践本体论为理论基础,可以把中国古代艺术散文与诗歌在审美形式上的区别归纳为三点:在思维和创作方法上,艺术散文重在体物而赋形,诗歌偏于缘情而立象;在文本上,诗歌强调情调,散文强调智慧和趣味;两者之所以不同,是由诗歌与散文作为中国文人不同的存在方式而决定的,也是由诗歌纵情和艺术散文任性的内在本质决定的.

关 键 词:缘情  立象  赋形  承接  间断  纵情  任性
文章编号:1000-5099(2000)02-0052-08
修稿时间:1999年12月9日

On the Aesthetic Difference between the Artistic Prose and Poetry in Ancient China
SU Bao,hua.On the Aesthetic Difference between the Artistic Prose and Poetry in Ancient China[J].Journal of Guizhou University(Social Science),2000,18(2):52-59.
Authors:SU Bao  hua
Abstract:On the basis of the theory of ontology,the differences in the aesthetic form between the ancient Chinese artistic prose and poetry can be boiled down to three points:in thinking and artistic techniques,artistic prose attaches significance to the presentation of things and the establishment of their forms,while poetry lays particular stress on the expression of emotions and the creation of images,as far as the texts are concerned,poetry tends to be sentimental,while prose emphases wisdom and interests,furthermore,the differences between them lie not only in the fact that poetry and prose represent different ways of existence led by ancient Chinese men of letters,but also in the fact that poetry inclines to the indulgence of emotion and prose to the caprice of form.
Keywords:Expression of emotion  creation of images  Establishment of forms  Inheritance  Hiatus  Indulgence in emotion  Caprice  
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