| 论20世纪二三十年代闺秀派作家 |
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| 引用本文： | 王晓梦.论20世纪二三十年代闺秀派作家[J].东北师大学报(哲学社会科学版),2011(5):129-132. |
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| 作者姓名： | 王晓梦 |
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| 作者单位： | 山东理工大学文学与新闻传播学院; |
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| 基金项目： | 国家社会科学基金项目(08BZW050) |
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| 摘 要： | 20世纪二三十年代,中国文坛涌现出一批令人刮目相看的女作家。她们身上保留了中国传统女性端庄、婉约的特点,但时代的影响又使她们接受了西方先进文化,带上了现代女性个性解放、思想活跃的特征。东西方两种教育思想的冲击促成了闺秀派作家作为一个相对独立的创作群体的形成。在"五四"新文化运动大潮的推动下,她们的创作整体上表现出女性自由解放的追求,探求自我的存在价值和人生意义。在审美风格上,注重营造古典的诗意氛围,抒写温婉的感伤情怀。
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| 关 键 词： | 现代文学 闺秀派 自由解放 诗意伤感 |
On the Feminist Writers in the 1920s and 1930s in China |
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| WANG Xiao-meng.On the Feminist Writers in the 1920s and 1930s in China[J].Journal of Northeast Normal University(Social Science),2011(5):129-132. |
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| Authors: | WANG Xiao-meng |
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| Institution: | WANG Xiao-meng(College of Literature and News Media,Shandong University of Technology,Zibo 255049,China) |
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| Abstract: | In the 1920s and 1930s in China there was impressive literary emergence of a group of women writers.They retained a dignified and graceful womanhood in traditional Chinese characteristics,but the influence of the times made them accept the advanced Western culture,which brought them liberation,the modern female character and the characteristics of active thinking.The impacts of two educational ideas from East and West contributed to the creation of independent groups of feminist writers. |
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| Keywords: | modern literature feminist writers freedom and liberation sad poetry |
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