| 文人生态的存在与发现－从改编的角度论《聊斋志异》对楚骚传统的模仿 |
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| 引用本文： | 李彦东.文人生态的存在与发现－从改编的角度论《聊斋志异》对楚骚传统的模仿[J].浙江师范大学学报(社会科学版),2001,26(4):6-9. |
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| 作者姓名： | 李彦东 |
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| 作者单位： | 浙江师范大学人文学院浙江金华 321004 |
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| 摘 要： | 蒲松龄写作《聊斋志异》显然受楚骚传统的熏陶.具体到作品本身,狐仙是一个重要的扭结点.蒲松龄努力打破文言小说和白话小说写作中的释放模式和放纵模式,独出机杼地创造了狐仙的文人意象模式.
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| 关 键 词： | 聊斋志异 狐仙 文人 楚骚传统 |
| 文章编号： | 1001-5035(2001)04-0006-04 |
| 修稿时间： | 2000年12月8日 |
An Analysis
of Strange Tales of Liao Zhai in Terms of Its Author's Imitativeand Adaptive Approach to
the Traditional Literary Writing of Chu |
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| LI Yan,dong.An Analysis
of Strange Tales of Liao Zhai in Terms of Its Author''''s Imitativeand Adaptive Approach to
the Traditional Literary Writing of Chu[J].Journal of Zhejiang Normal University:Social Sciences,2001,26(4):6-9. |
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| Authors: | LI Yan dong |
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| Abstract: | Pu Songling was cultivated by the traditional literary writings of Chu when he composed Strange Tales of Liao Zhai. In this work,fox angels are crucial characters that he portrayed uniquely to establish a new pattern of imagery of civilized beings against the traditional patterns of desire release and indulgence in classical and vernacular Chinese fiction. |
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| Keywords: | Strange Tales of Liao Zhai Fox angel Civilized Being Traditional Literary Writing of Chu |
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