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元代审美风尚与喜剧创作的兴盛
引用本文:朱伟明.元代审美风尚与喜剧创作的兴盛[J].武汉大学学报(人文科学版),2002,55(4):479-484.
作者姓名:朱伟明
作者单位:湖北大学,人文学院,湖北,武汉,430062
摘    要:元代喜剧不仅是中国古典喜剧创作的第一次高峰 ,同时也代表了中国古典喜剧创作的最高水平。元代喜剧产生于一个特殊的时代 ,具有特定的文化背景 ,体现着一种新的审美特征。元代喜剧创作的兴盛与元代审美风尚的变迁有着十分密切的联系。元代喜剧创作的繁荣 ,既是元代社会变迁与时代文化选择的产物 ,也是喜剧艺术自身积累与发展的结果。探讨元代喜剧繁荣的深层原因与内在规律 ,将有助于我们更为准确地把握元代喜剧的鲜明特色与重要贡献

关 键 词:元代  审美风尚  喜剧
文章编号:1000-5374(2002)04-0479-06
修稿时间:2002年2月18日

Comedy Creation of Yuan Dynasty:Aesthetic and Prosperity
ZHU Wei\|ming.Comedy Creation of Yuan Dynasty:Aesthetic and Prosperity[J].Wuhan University Journal (Humanity Sciences),2002,55(4):479-484.
Authors:ZHU Wei\|ming
Abstract:Regarded as the first peak of Chinese classical comedy creation, YUAN Comedy also presents the highest standard of Chinese classical comedy. YUAN Comedy, emerging from a special period of time, a period with specific culture background, stands for a new style of aesthetic characteristic. The prosperity of YUAN comedy, closely associated with the changes of YUAN's aesthetic, is both the product of society and culture transition, and the consequence of comedy development itself. By studying the deep reason and the inherent laws of YUAN comedy, we can have a full understanding of its distinguishing features as well as significant contributions.
Keywords:Yuan Dynasty  aesthetic  comedy  
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