| 论艺术语言中"意象"的同构关系 |
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| 引用本文： | 胡霞.论艺术语言中"意象"的同构关系[J].西北民族大学学报,2007(2):89-91. |
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| 作者姓名： | 胡霞 |
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| 作者单位： | 暨南大学华文学院对外汉语系 广东广州510610 |
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| 摘 要： | “意象”是艺术语言的精神特质之一,“意象”产生的基础是主体和客体之间的同构关系,其中主客体之间相同的力的模式使“意象”的同构关系具有了绝对性,主体情感的差异性又使“意象”的同构关系具有了相对性。“意象”的同构关系在中国古代哲学中体现为“天人合一”的思想。
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| 关 键 词： | "意象" 同构关系 艺术语言 |
| 文章编号： | 1001-5104(2007)02-0089-03 |
| 修稿时间： | 2006年9月21日 |
On Co-formation Relationship of "Intentional Image" in Art Language |
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| HU Xia.On Co-formation Relationship of "Intentional Image" in Art Language[J].Journal of Northwest University for Nationalities,2007(2):89-91. |
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| Authors: | HU Xia |
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| Abstract: | "Intentional image" is one of the spiritual features of art language.The base of producing "intentional image" is the co-formation relationship between subject and object.The same power mode between subject and object makes the co-formation relationship of "intentional image" become absolute. While the feeling divergence of subject makes the so-formation relationship become relative.The co-formation relationship of the "intentional image" reflects the concept of "the unification of Human and the heaven" of ancient philosophy in China. |
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| Keywords: | "intentional image" co-formation relationship art language |
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